Arlan Godthaab, Vampire Hunter |
Yet most production companies, even the big ones,
don’t yet get social media. Filmmakers trying to break into the business have enough on their plate just
trying to figure out funding, casting, logistics, lighting, shooting, and
editing. Marketing is rarely in the budget, so they don’t even think about
it. They should. They have a whole
team on set that can help get the word out about their production, but often the best
most young filmmakers can do is set up a Facebook “fan page” and then ask
everyone to “like my page.” In an incentive-based culture, that’s rarely
effective because everyone is thinking, “What’s in it for me?"
Every person
over age 3 has a cell phone with photo/video capability, and nearly everyone under age
80 has a Twitter account and Facebook page and more. (Judi Dench tweets,
for heaven sakes!) Actors WANT that production still of their big scene. They
WANT to tell people about the terrific new film they’re working on at the moment and the great production team that's creating it. They
want to post it to Facebook, upload Vine videos, and tweet the news out to
everyone they know! It’s part of driving down your IMDb rating and driving up
your Klout number, which is why stars large and small are being advised to do it.
These days a few savvy producers even consider an actor’s social
media presence when casting their films…and say as much in the breakdowns!
So let me make a suggestion, maybe even a few….
Small
production? Don’t have a recognizable star? Designate someone who's good with a cell
phone camera to take production stills throughout each day’s shoot. (A
production still is one with the camera and crew in the shot that tells
everyone “See, I make movies!”) At the end of each day have them review the
photos, adjust the sharpness and pump up the saturation with a cell phone app like Camera+, and then see that every member of the cast and crew gets at least one
flattering shot of themselves to use on social media. (And “flattering shots” should be the
instruction to the photographer.) Later, when you get to editing, have someone grab
interesting screen shots from your outtakes and, again, email them to cast and
crew who are in those scenes. You can also use all of these shots on your film
production website and social media sites (and, yes, you should have all of
those), make them available to the designer creating your poster, and use the
outtakes in producing your trailer.
Work with your cast and crew to help shape the message and get lots of
free and positive publicity (which helps in building audience anticipation and winning
awards.) Talk to them. Get everyone pulling together.
Arlan, my best to director Clayton Cogswell and the whole Good Cops Entertainment Team at #HouseHarker. Looking forward to seeing the film.
Arlan, my best to director Clayton Cogswell and the whole Good Cops Entertainment Team at #HouseHarker. Looking forward to seeing the film.
Still photo by Jacob Givens from "I Had a Bloody Good Time at House Harker." |
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