Crunch time. Looped the audio last weekend for a film in post. Audition tomorrow for another short film. Just returned from seeing the youngest graduate from college in Colorado. Will soon start rehearsals for “Orange Juice in Bishop’s Garden.” Another audition in mid-May, this time for an industrial set to start shooting in early June. Somewhere in there I’m working a day job scripting corporate videos, writing magazine articles and finishing a drama class. It’s good to be busy. It’s also easier to get work when you have work.
I’m hoping to benefit from what actor David Millstone calls a shortage of non-union over 40. My goal is to have 8-10 short film roles in the can by the end of the year and then to add union membership to my résumé. This is my year for putting to practice what I’ve learned, and it’s a struggle - a struggle getting it natural. I would like to take another class or two, but something that really challenges me. I’ve heard that the instructors at Studio Theatre in DC are a rather exacting lot, so I may take a look at what they have to offer. By this point I’ve developed a thick enough skin to judge whether criticism of my acting is valid or not. (Most of the time it’s valid.
Just finished Paul Russell’s book Acting: Make It Your Business. He talks a lot about creating a personal brand and establishing a look and feel to all of your query materials that says you’re serious about your work. Having worked as a publicist before getting into TV and video I have to agree with that. A lot of people get into acting for the social aspects. They’re the ones most likely to remark that an acting gig was “fun.” Well, anything you do professionally should be enjoyable, but for me – and for a lot of actors – the point is to get as many opportunities to act as you can and to do it well. Creating a brand can help get those acting jobs, and acting well is an ongoing personal improvement project.
It will soon be summer. Bah!
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